No specific topic this week, but rather a smattering of fascinating things. I'm gonna kick it off Elanor Davis and the interesting method she used to generate this image:
Elanor uses guache to make color paintings a lot, so I thought nothing of seeing a two-tone drawing from her, until I saw a series of tweets from her, which she meant to send to meg Hunt, but mistakenly posted to all, saying that she'd actually just altered an ink wash drawing to make this and other illustrations. I was fascinated, and asked if she'd elaborate, which of course she did:
Hey Matt!Isn't she great? Feel free to thank her by buying all her work.Ha! you caught those tweets - I meant them to be @meg and mis-sent them, then threw my hands up at the whole thing. : )Yep, that's a greyscale piece I messed w/ in photoshop. I don't have a good method for going about this process, there surely is an easier way to do it. I basically just do it for limited color printing processes; I don't think I would do it for any other reason, it's a hassle! : pMake two separate files. Keep one greyscale.for the other one: Image > mode >duotonechoose monotone; choose red (or whatever)Now turn it into CMYK. Copy paste the greyscale file on top of the red version. They should line up perfectly. Then erase whatever parts of the grey layer you want to be red.You can also monotone both w/ different colors. This image is 2 colors, for a process where the 2 colors combine into a 3rd. Just make the top layer transparent.
Finally, select the erased sections of the grey layer, inverse the selection, and delete that part from the red layer.Thanks for asking! I hope you're doing great! : )Eleanor
Next up is a review of a device I hadn't even heard about until this review, the Wacom Inkling:
It sounds neat, but I was disappointed to see that the scanner gets less accurate the farther away from it you get, so you have to use a fairly small drawing area. So, no good for full-size pages, but maybe good for scaled down thumbnails. I'd probably just get a pad myself, but Crabfu makes the point that this now gives him original art to sell while simultaneously creating a layered, colorable digital file. Original art sells for more than prints, and that means more income, so it's not a trivial consideration. The alterations you can make to the line quality after the fact is pretty interesting too.
John Martz did a drawing of all the stuff he used to draw, for the artist's space porn tumblr Where They Draw. I don't know just why, but I LOVE seeing people's studio setups.
Alec Longstreth finally finished the final chapter of Basewood! As some of you may know, Alec resolved not to shave or cut his hair until this task was completed. Well, here's what he looks like now:
As you can see in his post about it, he'll be cutting his hair at the release party. Alec has been a friend of mine as well as Comic Tools blog, and is himself a great comics teacher, so I'd have posted about this no matter what, But as it happens, Alec gave me a flimsy premise to call this a tool related post with this comment to his post:
Yes, I will be donating my hair. That would be funny to make a brush from the beard hair - maybe it would have magical comics power in it! :PFinally, nd totally unjustifiably, mega-super friend of Comic Tools Blog Hope Larson is making crazy-ass ice creams and posting photos of them: Ice Cream Log
See you next week!